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清代地方戏表演的艺术成就
引用本文:王廷信. 清代地方戏表演的艺术成就[J]. 山西师大学报(社会科学版), 2002, 29(1): 97-101
作者姓名:王廷信
作者单位:山西师范大学戏曲文物研究所 山西临汾041004
摘    要:清代地方戏的主要成就体现在表演艺术上。首先是各种表演手段的戏剧化,板腔体音乐成为主流,从音乐体制上为地方戏表演提供了自由灵活的创作手段;其次是脚色分工的细致化,地方大戏从传奇的“老生”和“小生”之间创造出“正生”这一独立的脚色,地方小戏的脚色体制由“二小”扩大为“三小”;再次是表演艺术地位的提高,演员的资质和表演风格受到人们的重视,舞台表演十分注重演员对戏曲人物情态的表现,在各个行法中都出现了较为出色的演员。

关 键 词:清代 地方戏 表演艺术 戏剧化 脚色体制 老生 小生 正生 表演风格 演员
文章编号:1001-5957(2002)01-0097-05

On the Artical Success of the Local Drama of the Qing Dynasty
WANG Ting xin. On the Artical Success of the Local Drama of the Qing Dynasty[J]. Journal of Shanxi Teachers University, 2002, 29(1): 97-101
Authors:WANG Ting xin
Abstract:The main achievement of the local drama in the Qing Dynasty reflected on the art of the performance.At first,it reflected on the performing way which had been dramatized and the music of "Ban Qiang"system (tune of which with accented or unaccented beat in traditional Chinese drama music)be coming essencial trend that had offered a free and flexible means of creation;Secondly there were careful divisions of the roles.The indenpendent role "Zheng Sheng"was created between the roles of Lao Sheng (old men) and Xiao Sheng (young men), "the two small roles"became "three small roles";Thirdly,the art of the drama and the actors were respected,people paid great attention to the performance of the roles.At that time there were many famous actors appeared in every types of roles.
Keywords:local drama of Qing Dynasty  art of performance  dramalization  system of roles  
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