| 唐卡颜料的配制工艺及其应用 |
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| 引用本文： | 甘泉. 唐卡颜料的配制工艺及其应用[J]. 青海师范大学学报(哲学社会科学版), 2007, 0(2): 72-75 |
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| 作者姓名： | 甘泉 |
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| 作者单位： | 青海师范大学,美术系,青海,西宁,810008 |
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| 摘 要： | 唐卡是藏族地区集宗教传播与绘画欣赏于一体的独特形式，与其它绘画相比唐卡具有画工精细、色泽艳丽、色彩保持久远的特点，这与其独特的颜料配制及使用方法有着密切的关系。由于唐卡艺术衍生在藏区这一特定的文化与生活土壤里，尤其是融人了藏传佛教、绘画艺术等语言，使其更具有原创性、地域性而独具风采。
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| 关 键 词： | 唐卡 颜料 绘制 |
| 文章编号： | 24167574 |
| 修稿时间： | 2006-10-25 |
The Unique Technology and Application of Tangka Pigments |
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| GAN Quan. The Unique Technology and Application of Tangka Pigments[J]. Journal of Qinghai Normal University(Philosophy and Social Sciences Edition), 2007, 0(2): 72-75 |
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| Authors: | GAN Quan |
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| Affiliation: | The Fine Arts Department , Qinghai Normal University,Xining 810008, China |
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| Abstract: | In Tibetan region Tangka is a unique combination of religion propagation and painting appreciation.Compared with other forms of painting,Tangka has the characteristic of being delicate,bright and lustrous and lasting.This is closely connected with its unique formula and methods of using, Tangkais deeply rooted in the Tibetan culture and life,especially mixed with Tibetan Buddhism and painting art,which make it more unique with its originality and regionality. |
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| Keywords: | Tangka material drawing |
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