论禅理诗中物象与禅意的同构关系

辞章作品中的事景物象（象）与情理意趣（意），前曷客体，后属主体，故而异质，其内部会因为同构关系，也就是能使意与象彼此联系起来的纽带，产生“一意多象”与“一象多意”的两大互动模式。其中，以“一意多象”而言，禅理诗是一类颇值得关注的诗种。这类诗作通常透过森罗万物之静观与日常修持结合，而形成“多象”，以体现含藏于其中的佛理禅机（“一意”）。从本文择以探讨的几类物象中可以发现，无论是植物物象、地理物象、器物物象等，皆常为僧俗二众藉以悟道参禅。透过此类意象之经营，不仅使禅理诗生发出独特的禅趣与意境，亦展现出辞章“一意”与“多象”之间异质而同构的互动性。

On Isomorphic Relations between Physical Image and Zen Spirit in Zen Poems

In poetry and prose, the physical image is objective, while the emotional one is subjective, so they are different in nature. But they are in isomorphic relations in their inner structures, i.e. the meaning can be related to the image. In detail, one meaning is related to multiple images, or one image to multiple meanings. In Zen poems, you can always find multiple images. On the basis of a few physical images, Zen spirit can be found in Zen poems. Therefore, it is concluded that there exist isomorphic relations between physical image and Zen spirit in Zen poems.