| 正字戏、潮剧《断发记》的剧本演变与声腔渊源(二) |
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| 引用本文： | 郑守治. 正字戏、潮剧《断发记》的剧本演变与声腔渊源(二)[J]. 韩山师范学院学报, 2008, 29(1): 13-20 |
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| 作者姓名： | 郑守治 |
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| 作者单位： | 韩山师范学院潮学研究所,广东,潮州,521041 |
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| 摘 要： | 该文是有关正字戏、潮剧《断发记》研究论文的第二部分。潮剧《拒父离婚》改编自正字戏《断发记》,潮剧的某些特征腔句通过正字戏吸收自弋阳腔或青阳腔。明代弋阳腔、青阳腔的剧本、唱腔是潮剧艺术主要的组成部分之一。
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| 关 键 词： | 正字戏 潮剧 断发记 弋阳腔 青阳腔 |
| 文章编号： | 1007-6883(2008)01-0013-08 |
| 修稿时间： | 2007-04-25 |
Script Evolution and Tune Origin Research about "Duanfaji" of Zhengzi-opera and Chao-opera (part 2) |
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| ZHENG Shou-zhi. Script Evolution and Tune Origin Research about "Duanfaji" of Zhengzi-opera and Chao-opera (part 2)[J]. Journal of Hanshan Teachers College, 2008, 29(1): 13-20 |
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| Authors: | ZHENG Shou-zhi |
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| Abstract: | This article is the second part of the research about"Duanfaji"of Zhengzi-opera and Chao-opera.The play"Jufulihun"of Chao-opera is adapted from Zhengzi-opera.The Chao-opera absorbs some feature tunes through Zhengzi-opera from Yiyangqiang or Qingyangqiang from the Ming Dynasty.Yiyangqiang and Qingyangqiang is the major component of the art of Chao-opera. |
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| Keywords: | Zhengzi-opera,Chao-opera," Duanfaji" , |
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