| 中国古代文论与画论研究综述 |
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| 引用本文： | 金安辉,李龙镇.中国古代文论与画论研究综述[J].廊坊师范学院学报,2005,21(4):32-35. |
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| 作者姓名： | 金安辉 李龙镇 |
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| 作者单位： | 1. 华北科技学院,人文社科系,北京,101601
2. 韩国庆北科学大学,庆北 |
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| 摘 要： | 中国古代社会诗文书画是主流艺术，因而文论也必然与音乐理论、书画理论关系紧密。以往的中国古代文论研究往往只注重单线演进，而忽略了它与其他艺术种类相互滋养相互启迪的关系。文章对20世纪以来的中国古代文论与画论的研究作一简单梳理，期在能对中国文学批评史学科的系统深入的研究提供一份资料、一点线索。
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| 关 键 词： | 中国古代文论 画论 交叉研究 |
| 文章编号： | 1671-1416（2005）04-0032-04 |
| 收稿时间： | 2005-05-30 |
| 修稿时间： | 2005年5月30日 |
A Sumnary of the Study of Ancient Chinese Literary Theory and Paining Theory |
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| JIN An-hui,LI Long-zhen.A Sumnary of the Study of Ancient Chinese Literary Theory and Paining Theory[J].Journal of Langfang Teachers College,2005,21(4):32-35. |
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| Authors: | JIN An-hui LI Long-zhen |
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| Abstract: | In ancient Chinese society, poem, painting and writing were chief arts, so literary theory must have close connection with musical theory and painting theory. The previous ancient Chinese literary study usually focused on the single development and neglected its relationship to the other relative arts. This paper gives a simple summary of literary and painting theories since 20th century and hopes to offer some clues and data for the systematic study of literary critical theory of China. |
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| Keywords: | ancient Chinese literary theory painting theory crossing study |
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