| 舒曼钢琴作品《C大调幻想曲》(Op.17)演奏分析 |
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| 引用本文： | 徐颖周.舒曼钢琴作品《C大调幻想曲》(Op.17)演奏分析[J].三明学院学报,2011,28(3):67-73. |
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| 作者姓名： | 徐颖周 |
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| 作者单位： | 三明学院艺术系,福建三明,365004 |
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| 基金项目： | 三明学院科研基金项目(A201004/G) |
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| 摘 要： | 舒曼是19世纪浪漫主义音乐的最杰出代表人物之一。《C大调幻想曲》(Op.17)是其钢琴套曲的代表之一,这部作品有其一定的创作背景与审美追求,在手指技法安排、节奏多变、速度记号的灵活应用等方面,舒曼以其独特的钢琴音乐创作手法,向人们展示了其钢琴音乐创作丰富的想象力、音乐感受力,从而充分显示出作曲家充满了热情、沉思、幻想、惊喜等丰富的内心世界,使他的钢琴音乐具有了诗意性与幻想性风格。
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| 关 键 词： | 舒曼 C大调幻想曲 演奏分析 钢琴作品 |
An Analysis of Performance of Schumann's Piano Works C Major Fantasia(Op.17) |
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| XU Ying-zhou.An Analysis of Performance of Schumann's Piano Works C Major Fantasia(Op.17)[J].Journal of Sanming University,2011,28(3):67-73. |
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| Authors: | XU Ying-zhou |
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| Institution: | XU Ying-zhou(Department of Art,Sanming University,Sanming 365004,Fujian) |
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| Abstract: | Robert Alexander Schumann is one of the most outstanding romantic representative musicians in the 19th century.C major fantasia(Op.17) is one of the representatives in his piano melodies,which is endowed with creating background and aesthetic pursuit to some degree.In the arrangement of finger techniques,the variability of rhythms,the flexible application of speed marks and some other aspects,Schumann shows people his rich imagination and music sensibility with his unique techniques in piano music creation.... |
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| Keywords: | Schumann C major fantasia performance analysis piano works |
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