| 论中国画的形与神 |
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| 引用本文： | 石辰三.论中国画的形与神[J].邵阳学院学报(社会科学版),2005,4(6):110-111. |
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| 作者姓名： | 石辰三 |
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| 作者单位： | 邵阳学院,艺术设计系,湖南,邵阳,422000 |
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| 摘 要： | 传统中国画中有众多赋有民族特色的范畴,要学习,就应抓重点、抓线索.作者认为＂形＂与＂神＂这一对范畴,在传统中国画诸范畴中既是重点,又是线索.首先,文章考察了＂形＂与＂神＂的确切涵义;然后,阐明它是传统国画诸范畴中的重点;最后,阐明了它是把握其它范畴的一条线索.
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| 关 键 词： | ＂形＂与＂神＂ 范畴 传统 |
| 文章编号： | 1672-1012（2005）06-0110-02 |
| 收稿时间： | 2005-01-16 |
| 修稿时间： | 2005年1月16日 |
On The Appearance and Spirit Of Chinese Painting |
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| SHI Chen-san.On The Appearance and Spirit Of Chinese Painting[J].Journal of Shaoyang University:Social Science,2005,4(6):110-111. |
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| Authors: | SHI Chen-san |
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| Institution: | Art and Design Department of Shaoyang University, Shaoyang, 422000, Chitin |
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| Abstract: | The Chinese painting is rich in the good tradition. If we want to learn from the tradition of Chinese painting, we must grasp the emphases and the clue. the author holds that appearance and spirit is not only the emphases but also the clue of chinese painting . |
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| Keywords: | the appearance and spirit category tradition |
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