| 电影眼里的新中国表情 |
| |
| 引用本文： | 张同道.电影眼里的新中国表情[J].北京师范大学学报(社会科学版),2011(1). |
| |
| 作者姓名： | 张同道 |
| |
| 作者单位： | 北京师范大学艺术与传媒学院; |
| |
| 摘 要： | 表情既是个人的、情绪的符号表达,也是一种社会语言。从这种意义上说,人的表情就是一个民族、一个国家的表情。以公共表情、私密表情的视点分析新中国电影里的人物表情变迁,指出新中国电影里的公共表情从集体化走向合理化,最终达到多元化,而私密表情从初期的匮乏、缺席到现在的丰富,表明中国电影里的人物表情与心灵越来越贴近,越来越真实。而电影里的人物表情正是一个民族、一个国家的象征。
|
| 关 键 词： | 公开表情 私密表情 新中国表情 |
Expressions of New China in Movies |
| |
| ZHANG Tong-dao.Expressions of New China in Movies[J].Journal of Beijing Normal University(Social Science Edition),2011(1). |
| |
| Authors: | ZHANG Tong-dao |
| |
| Institution: | ZHANG Tong-dao(School of Art and Transmission,BNU,Beijing 100875,China) |
| |
| Abstract: | Expression is a personal,emotional symbol;it is also a social language.One's expression from this perspective is that of a nation and country.The analysis of the changes of the characters' expressions in movies by looking into the public and private expressions indicates the development process of the public expression from collectivity to rationality up to multi-variant.Meanwhile,personal expressions have also changed from the early period of deficit or even absence in personal expressions to the currently... |
| |
| Keywords: | public expression personal expression expression of New China |
| 本文献已被 CNKI 等数据库收录！ |
|
