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师古人与师造化——兼谈中国画的哲学意蕴
引用本文:陈晓媛.师古人与师造化——兼谈中国画的哲学意蕴[J].哈尔滨学院学报,2007,28(5):126-128.
作者姓名:陈晓媛
作者单位:哈尔滨师范大学,艺术学院,黑龙江,哈尔滨,150080
摘    要:传统在中国画中有着超乎寻常的地位,它对于中国画的作用是必不可少的,每一个问题背后都隐藏着它的身影,它使得中国画家注重师承,甚至要求笔笔有出处。师古人即学习传统,师造化即师法自然,师古人与师造化,互为因果,相互联系,构成了中国画的学习与创作的体系。

关 键 词:中国画  古人  造化  传统  自然
文章编号:1004-5856(2007)05-0126-03
修稿时间:2007-01-16

Learning From the Ancient Masters or Learning From the Nature——On the Philosophical Implication in Chinese Paintings
CHEN Xiao-yuan.Learning From the Ancient Masters or Learning From the Nature——On the Philosophical Implication in Chinese Paintings[J].Journal of Harbin University,2007,28(5):126-128.
Authors:CHEN Xiao-yuan
Institution:Harbin Normal University, Harbin 150080, China
Abstract:Tradition takes special status in Chinese painting.It functions necessarily after every point so the Chinese painters pay more attention to learning.Learning from the ancient masters means learning tradition while learning from nature means learning from the natural world.The two aspects function both as cause and effect constructing the learning system for Chinese painting.
Keywords:Chinese painting  ancient master  creation  tradition  nature
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