| 魏晋风度与王羲之《兰亭序》--兼论王羲之对后世书风的影响 |
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| 引用本文： | 戴志. 魏晋风度与王羲之《兰亭序》--兼论王羲之对后世书风的影响[J]. 玉溪师范学院学报, 2002, 18(1): 79-83 |
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| 作者姓名： | 戴志 |
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| 作者单位： | 玉溪师范学院,中文系,云南,玉溪,653100 |
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| 摘 要： | 魏晋时期“人物品藻”之风及玄学盛行 ,在此二者的互动下产生了魏晋时期特有的审美风尚———魏晋风度。王羲之《兰亭序》最具体地反映了晋人“哲学的美” ,是魏晋风度的审美典范。王羲之书风对后世书法的影响有时表现为后人对他的艺术精神的把握与宏扬 ,有时则表现为后人对他的技法的临摹学习 ,前者的影响是积极的 ,后者的影响却是消极的
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| 关 键 词： | 魏晋风度 王羲之《兰亭序》 艺术精神 |
| 文章编号： | 1009-9506(2002)01-0079-05 |
| 修稿时间： | 2001-09-22 |
The Fashion of Wei & Jin Dynasties & Wang Xizhi''s Preface of Orchid Pavilion |
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| DAI Zhi. The Fashion of Wei & Jin Dynasties & Wang Xizhi''s Preface of Orchid Pavilion[J]. Journal of Yuxi Teachers' College, 2002, 18(1): 79-83 |
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| Authors: | DAI Zhi |
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| Abstract: | Advocating metaphysics is the fashion of Wei & Jin Dynasties. Calligrapher Wang Xizhi's Preface of Orchid Pavilion best illustrates this fashion. His calligraphy influences the later generations in two ways. 1. The later generations follow & develop his style. 2. The later generations copy his style. The former is active while the latter is passive. |
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| Keywords: | Wang Xizhi's Preface of Orchid Pavilion the spirit of art |
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