| 克罗齐和科林伍德的表现主义美学观异同论 |
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| 引用本文： | 邓敬.克罗齐和科林伍德的表现主义美学观异同论[J].蒙自师范高等专科学校学报,2010(5):51-53,67. |
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| 作者姓名： | 邓敬 |
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| 作者单位： | 首都师范大学文学院,北京100089 |
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| 摘 要： | 作为表现主义美学的代表克罗齐与科林伍德都坚持"艺术即表现"的主张,都认为艺术是情感的表现,艺术是一种想象活动。但两者的观点并不完全相同,科林伍德在继承了克罗齐的基本思想,并对其进行了补充和发展,使表现主义美学理论更趋完善。
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| 关 键 词： | 克罗齐 科林伍德 表现 继承 发展 |
The Similarities and Differences of Expressionist Aesthetic Views between Croce and Collingwood |
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| DENG Jing.The Similarities and Differences of Expressionist Aesthetic Views between Croce and Collingwood[J].Journal of Mengzi Teachers' College,2010(5):51-53,67. |
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| Authors: | DENG Jing |
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| Institution: | DENG Jing (Chinese Literature School,Capital Normal University,Beijing 100089) |
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| Abstract: | Both as the representatives of Expressionist Aesthetics,Croce and Collingwood adhered to ＂art-is-expression＂ view and acvocated that art finds its expression in emotion,and art is a kind of imagination.However,their views were not fully indentical at all,since Collingwood made supplement and improvement on his continuation of Croces＇s basic thinking,which had advanced expressionist aesthetics to a comparatively complete level. |
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| Keywords: | Croce Collingwood Expression continuation improvement |
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