| 论郭风散文诗对人观照的变化 |
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| 引用本文： | 宋桂友. 论郭风散文诗对人观照的变化[J]. 常熟理工学院学报, 2004, 18(3): 53-57 |
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| 作者姓名： | 宋桂友 |
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| 作者单位： | 苏州大学,文学院,江苏,苏州,215021 |
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| 摘 要： | 郭风的散文诗创作从20世纪40年代对人性的全方位观照到50、60年代观照的淡失再到新时期的全面回归,走了一条弯路.从中我们发现,文学只有穿越政治,保持它本质上的相对独立性,才能获得成功.而在创作过程中,潜意识所激发的灵感和集体无意识的确立往往起着重要作用.
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| 关 键 词： | 人性观照 文学与政治 灵感 集体无意识 |
| 文章编号： | 1008-2794(2004)03-0053-05 |
| 修稿时间： | 2003-10-15 |
Development of Humanistic Parspective in Prose-Poem of GUO Feng |
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| SONG Gui_you. Development of Humanistic Parspective in Prose-Poem of GUO Feng[J]. Journal of Changshu Institute of Technology, 2004, 18(3): 53-57 |
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| Authors: | SONG Gui_you |
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| Abstract: | As far as the production of prose_poem was concerned,Guo_Feng took a roundabout course from his attention initially to humanity from all aspects in the 1940's and his concern about humanity in the fifties and sixties to his return to humanity at last in the new times.Literature creation will not be successful until it transcends politics to retain as essentially relative independence.The inspiration spurred by sub_consciousness and the establishment of collective_unconsciousness,plays an important role in literary creation. |
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| Keywords: | humanistic perspective literature and politics inspiration collective_unconsciousness |
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