| 绚烂之极归于平淡--汪曾祺小说文体的独创性 |
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| 引用本文： | 肖莉. 绚烂之极归于平淡--汪曾祺小说文体的独创性[J]. 江西师范大学学报(哲学社会科学版), 2005, 38(4): 61-65 |
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| 作者姓名： | 肖莉 |
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| 作者单位： | 大连外国语学院,汉学院,辽宁,大连,116002 |
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| 基金项目： | 辽宁省社会科学规划基金项目（L03BYY020） |
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| 摘 要： | 汪曾祺的影响在很大程度上是由于他打破了传统小说的创作程式,在艺术上进行大胆的尝试和探索,创作出“系列”的散文化的小说,形成他独特的文体特色。汪曾祺小说的散文化表现为：人物描写的散文化;叙述的写意性、主观性;结构的随意性。
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| 关 键 词： | 汪曾祺 小说文体 散文化 |
| 文章编号： | 1000-579(2005)04-0061-05 |
| 收稿时间： | 2005-05-10 |
| 修稿时间： | 2005-05-10 |
Tending to Prosaic Style after Being the Most Splendid--On the Originality of Wangzengqi's Novel Style |
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| XIAO Li. Tending to Prosaic Style after Being the Most Splendid--On the Originality of Wangzengqi's Novel Style[J]. Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition), 2005, 38(4): 61-65 |
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| Authors: | XIAO Li |
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| Abstract: | Wangzengqi's influence is to a great degree due to his writing style,he breaks the traditonal writing style,makes bold trial and innovation in art,and "series" prosification novels,forming his own style feature.The prosification of Wangzengqi's novels reflects in:literary sketch of figures;free hand brushwork in narration;subjectivity;structure freedom. |
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| Keywords: | wangzengqi novel style prosification |
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