| 生命的歌吟——读元代画家王振朋的《伯牙鼓琴图》 |
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| 引用本文： | 郭振翔. 生命的歌吟——读元代画家王振朋的《伯牙鼓琴图》[J]. 闽江学院学报, 2006, 27(6): 101-104 |
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| 作者姓名： | 郭振翔 |
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| 作者单位： | 闽江学院艺术系,福建,福州,350108 |
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| 摘 要： | 从对元代画家王振朋《伯牙鼓琴图》的解读中,试图证明中国传统仕文化的一种样式,进而推论知音文化具有人类思想、情怀的普遍性。通过对画面的反复揣摩,提出先泰仕文化语境的特征,并从伯牙与子期相遇相知的人格魅力中,从一曲《高山流水》成为千古绝响的遗韵中,提炼传统哲学意味及人文价值。
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| 关 键 词： | 解读 仕文化 样式 知音 人文价值 |
| 文章编号： | 1009-7821（2006）06-101-04 |
| 收稿时间： | 2006-10-18 |
| 修稿时间： | 2006-10-18 |
Life Eulogies——Appreciating Boya Playing Yao Painted by Wang Zhenpeng in Yuan Dynasty |
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| GUO Zhen-xiang. Life Eulogies——Appreciating Boya Playing Yao Painted by Wang Zhenpeng in Yuan Dynasty[J]. Journal of Minjiang University, 2006, 27(6): 101-104 |
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| Authors: | GUO Zhen-xiang |
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| Abstract: | This thesis tries to prove the pattern of traditional Chinese intellectual culture by means of appreciating Boya Playing Yaopainted by Wang Zhen-peng in Yuan Dynasty.It reaches a conclusion that bosom friend culture is popular in hu- man thinking and affection,and through intensive study of the picture,the paper depicts the contextual features of intellectual culture before Qin Dynasty.Still the paper draws from the well-known masterpiece yao composition Steep mountain and Rush- ing Stream and its relevant story of Boya and Zhong Zi-qi Chinese traditional philosophical and human values. |
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| Keywords: | appreciate intellectual culture pattern bosom friend human values |
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