| 抽象与具象的融合--论昆德拉《不朽》的复调性 |
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| 引用本文： | 陈秀珍. 抽象与具象的融合--论昆德拉《不朽》的复调性[J]. 南平师专学报, 2004, 23(3): 56-58,28 |
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| 作者姓名： | 陈秀珍 |
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| 作者单位： | 福建林业技术学院,福建,南平,353000 |
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| 摘 要： | 昆德拉是本世纪小说一个例外，他的小说看似很不像小说。小说在他手里变得认不出自己。昆德拉大胆的尝试改变小说的文本，提出新的复调理论，进行了一系列的现代复调小说创作。本文以其提出的复调理论为依据．分析其作品(不朽)的复调性。
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| 关 键 词： | 调性 融合 具象 抽象 小说 本世纪 调理 |
| 文章编号： | 1008-5963(2004)03-0056-03 |
| 修稿时间： | 2004-04-06 |
The Combination between Abstract Image and Concrete Imagine |
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| CHEN Xiuzhen. The Combination between Abstract Image and Concrete Imagine[J]. Journal of Nanping Teachers College, 2004, 23(3): 56-58,28 |
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| Authors: | CHEN Xiuzhen |
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| Abstract: | Kundera's novel is an exception of this century, his novel doesn't look like a novel. He had a daring attempting on the novel's version, developed a new polyphony theory, and engaged in the creation of series modern polyphony novels. Based on the polyphony theory this article analyzes the polyphony in the novel Immortality. |
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| Keywords: | polyphony musical polyphony structure immortality dialogues |
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