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苦难的升华——对影片《活着》的另一种解读
引用本文:高婧.苦难的升华——对影片《活着》的另一种解读[J].绵阳师范学院学报,2009,28(4).
作者姓名:高婧
作者单位:广西师范学院中文系,广西南宁,530001
摘    要:在后现代文化背景下,文艺批评的模式不再是确立标准的问题,更是为了折射出特定的文学观念.马克思主义文艺批评现的美学标准包含:较大的思想深度和意识到的历史内容,同莎士比亚剧作的情节的生动性和丰富性的完美融合.这是文艺创作的最高原则."活着"的从容与生命的顽强合乎逻辑地在福贵身上演绎,体现了理想创作的有效范例.

关 键 词:三融合理论  活着  生命个体

Sublimation of Misery: An Interpretation of the Film "To Live"
GAO Jing.Sublimation of Misery: An Interpretation of the Film "To Live"[J].Journal of Mianyang Normal University,2009,28(4).
Authors:GAO Jing
Institution:Department of Chinese;Guangxi Normal University;Nanning;Guangxi;China 530001
Abstract:Under the background of post modern culture,the literary criticism is not a mode to establish certain standard but a reflection of specific literature concept.The esthetic standard set up by Marxist literary criticism includes: the depth of thoughts and the historical contents,which are a perfect fusion of the vividness and richness of plots in Shakespeare's plays.Such fusion is the supreme principle in literary creation.The Film "To Live" directed by Zhang Yimou,in which the hero Fugui has shown the audien...
Keywords:theory of three fusions  the film "To Live"  individual  
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