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素描之意--传统绘画素描与设计素描辨析
引用本文:吴东弓. 素描之意--传统绘画素描与设计素描辨析[J]. 华侨大学学报(哲学社会科学版), 2003, 0(4): 123-129
作者姓名:吴东弓
作者单位:华侨大学,艺术系,福建,泉州,362011
基金项目:香港中文大学社会科学,教育应用基金
摘    要:通过对传统绘画素描与设计素描的理论辨析,探讨具像思维与抽象造型思维的区别与联系,从艺术教育的整体观念出发来理解素描作为基础的本质涵义,指出专业思维模式与方法论的灌输与培养应从基础抓起,专业造型意识的培养才是素描精意之所在。

关 键 词:绘画素描 设计素描 具像意识 抽象意识 专业造型意识
文章编号:1006-1398(2003)04-0123-07
修稿时间:2003-07-15

The Meaning of Sketch:Distinction and Analysis of Traditional Drawing Sketch and Designing Sketch
WU Dong-gong. The Meaning of Sketch:Distinction and Analysis of Traditional Drawing Sketch and Designing Sketch[J]. Journal of Huaqiao University(Humanities & Social Science), 2003, 0(4): 123-129
Authors:WU Dong-gong
Abstract:Sketch is not only skill and tecknique but also a cultivation in thinking and awareness. Beginning with a discussion on difference and connection between thinking with images and thinking in abstract modeling by theoretical distinction and analysis of traditional drawing sketch and designing sketch, the author comprehends the intrinsic meaning of the fundamentats of sketch from the concept of entirety of artistic education. Thus he points out that the basic training should be stressed for impart and cultivate thinking pattern and methodology of specialty; specialized modeling awareness is the cultivation where the essence of sketch lies.
Keywords:drawing sketch  designing sketch  awareness with images  awareness in abstraction  specialized modeling aware-ness  
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