| 论蒙古族“呼咪”演唱艺术 |
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| 引用本文： | 斯琴毕力格.论蒙古族“呼咪”演唱艺术[J].内蒙古大学学报(人文社会科学版),2004,36(5):101-104. |
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| 作者姓名： | 斯琴毕力格 |
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| 作者单位： | 内蒙古大学艺术学院,内蒙古呼和浩特010010 |
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| 摘 要： | “呼咪”作为蒙古族古老神奇的声乐艺术,既是蒙古族声乐艺术的源头,亦同蒙古族长调歌唱艺术和诸种潮尔乐器联系在一起。呼咪有浩林潮尔和乌因格呼咪两大类型。它的神奇之处就在于由一个人用自己的一个歌喉同时唱出一个高音部旋律和低音持续基音声部。呼咪演唱时喉咙均围绕重音发声,口腔形成的“密封容器”中产生由泛音构成的乌因格图“呼咪”。
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| 关 键 词： | 呼咪 浩林潮尔 乌因格图呼咪 |
| 文章编号： | 1000-5218(2004)05-0101-04 |
| 修稿时间： | 2004年3月3日 |
On the Mongolian Humi Performance Art with Singing |
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| Chechenbilig.On the Mongolian Humi Performance Art with Singing[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2004,36(5):101-104. |
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| Authors: | Chechenbilig |
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| Abstract: | As an ancient and supernatural vocal art of Mongolian people, "Humai" is the source of Mongolian vocal art and it is related to Mongolian long melody singing and various "Cogor" musical instruments. There are two types of "Humai":"Holai-yin cogor" and "Oyangatu Humai". The feature of the singing is that one can simultaneously sing in alt and in bourdon. The rounded oral cavity shapes like a closed container to form the overtone constructing "Oyangatu Humai". |
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| Keywords: | "Humai" "Holai-yin cogor" "Oyangatu Humai" |
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