| 虚无的主题与空间化结构——茅盾的短篇小说《色盲》新论 |
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| 引用本文： | 翟文铖.虚无的主题与空间化结构——茅盾的短篇小说《色盲》新论[J].黑龙江教育学院学报,2007,26(1):115-117. |
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| 作者姓名： | 翟文铖 |
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| 作者单位： | 曲阜师范大学,文学院,山东,曲阜,273165;山东师范大学,文学院,济南,250014 |
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| 摘 要： | 《色盲》思想内涵深厚,它不仅解剖了小资产阶级知识分子的阶级意识,也不仅描述了他们在传统文化与现代文化之间进退失据的精神困惑,而且在存在论的高度上,对虚无问题进行了哲学思索。在艺术上,小说打破常规,采用了空间化的结构方式:人物的对称化设置、意象的象征与叠用。多种结构因素在不同的层面上反复勾连,使作品既自然天成,又浑然一体。
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| 关 键 词： | 茅盾 精神困境 虚无 空间化结构 |
| 文章编号： | 1001-7836（2007）01-0115-03 |
| 收稿时间： | 2006-09-11 |
| 修稿时间： | 2006-09-11 |
The Nihility of Theme and the Spatial Structure——Reading Mao Dun's Short Story Color Blindness |
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| ZHAI Wen-cheng.The Nihility of Theme and the Spatial Structure——Reading Mao Dun''''s Short Story Color Blindness[J].Journal of Heilongjiang College of Education,2007,26(1):115-117. |
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| Authors: | ZHAI Wen-cheng |
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| Institution: | 1. Chinese Literature of Qufu Normal University, Qufu 273165, China;2. Shandong Normal University, China |
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| Abstract: | The meaning of Color Blindness is penetrating.It did not only anatomize the classic consciousness of the petty bourgeoisie,depicted their spirit bewilderment between the traditional culture and the modern culture,but also explored the problem of nihility in the highness of the theory of being.In art,the short story broke the commonly disciplinarian,adopted the Spatial structure:the symmetry setup of the characters,the symbol using of the elephantine.Manifold factors of different layers connected repeatedly,then the works become natural and integrated. |
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| Keywords: | Mao dun spirit bewilderment nihility the spatial structure |
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