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《诗经》的乐歌性质
引用本文:秦燕钢.《诗经》的乐歌性质[J].河北北方学院学报(社会科学版),2005,21(6):5-8.
作者姓名:秦燕钢
作者单位:河北师范大学文学院,河北,石家庄,050091
摘    要:<诗经>在周代是入乐演唱的乐歌,从<风>、<雅>、<颂>的分类到<诗经>的存在形式都说明了这一点."诗"和"乐"相结合,成为周代礼乐文化的重要组成部分.但随着儒家用诗传统的影响,以及周代雅乐的消亡,<诗经>的音乐特色逐渐消失,歌词内容的政治道德伦理意义日渐突出,<诗经>成为了一部政治道德的寓言.

关 键 词:<诗经>  入乐  礼乐文化
文章编号:1672-9951(2005)06-0005-04
修稿时间:2005年9月20日

The Characters of Song with Musical Accompaniment of the Book of Songs
QIN Yan-gang.The Characters of Song with Musical Accompaniment of the Book of Songs[J].Journal of Hebei North University,2005,21(6):5-8.
Authors:QIN Yan-gang
Abstract:The Book of Songs was songs with musical accompaniment in Zhou Dynasty, which was shown by the forms of Folks Songs of State, Epics and Odes. The combination of poetry and music became the important component of Zhou Dynasty's culture of protocol music. But with the influence of Confucian tradition of using poems and the death of Zhou Dynasty's elegant music, the musical characters of The Book of Songs disappeared gradually whereas the meaning of the political morality and ethics of its content became more and more prominent. And The Book of Songs became a fable of advocating political morality.
Keywords:The Book of Songs  be used as music  culture of protocol music
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