| 创作方法废弃论商榷 |
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| 引用本文： | 刘求长.创作方法废弃论商榷[J].石家庄学院学报,2001,3(3):25-27. |
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| 作者姓名： | 刘求长 |
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| 作者单位： | 新疆大学,中文系,新疆,乌鲁木齐,830046 |
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| 摘 要： | 20世纪80年代之后中国文艺理论界有一种主张废弃创作方法的观点.废弃论的理由难以成立作家的创作经验证明,创作过程中作家往往自觉地遵循某种原则;用"风格"取代"创作方法"不可行,它们二者是交叉关系.创作方法的涵义应该单纯,应该回到歌德和席勒所确定的涵义.
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| 关 键 词： | 创作方法 废弃论 创作风格 涵义单纯性 |
| 文章编号： | 1008-6188(2001)03-0025-03 |
| 修稿时间： | 2000年12月28 |
A discussion about the viewpoint of discarding creative technique |
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| LIU Qiu,chang.A discussion about the viewpoint of discarding creative technique[J].Journal of Shijiazhuang University,2001,3(3):25-27. |
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| Authors: | LIU Qiu chang |
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| Abstract: | In China's artistic theory circles after the 1980s,there arose a viewpoint of discarding the creative technique.This paper argues that it is untenable.The creative experience shows that during the artistic creation,writers, more often than not,conscientiously follow a certain principle."Creative technique"can not be replaced by "style",and they should go on alternately. |
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| Keywords: | creative technique riewpoint of discarding creative technique stuly of creation connotative exclusion |
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