| 论“样板戏”话语中僵化雷同的模式话语 |
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| 引用本文： | 祝克懿.论“样板戏”话语中僵化雷同的模式话语[J].信阳师范学院学报(哲学社会科学版),2002,22(4):91-95. |
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| 作者姓名： | 祝克懿 |
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| 作者单位： | 复旦大学,中文系,上海,200433 |
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| 摘 要： | 戏剧人物语言个性化，是戏剧艺术第一位的特征，而“样板戏”中的人物话语却忽略了人物鲜活的个性，过度追求阶级共性，使得人物话语表达公式化，浅表化，单调化，形成了一套僵化雷同的模式话语。“关怀模式话语”，“誓言模式话语”是两种突出的话语类型。
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| 关 键 词： | 关怀模式话语 语言 誓言模式话语 样板戏 戏剧 |
| 文章编号： | 1003-0964(2002)04-0091-05 |
| 修稿时间： | 2002年4月2日 |
Generalizes rigid discourse patterns of Model Operas |
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| ZHU Ke,yi.Generalizes rigid discourse patterns of Model Operas[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2002,22(4):91-95. |
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| Authors: | ZHU Ke yi |
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| Abstract: | Individuality of character discourses is a most prominent feature in the drama, but Model Operas lay too much importance to the discourses with the feature of generality of the class lacking individuality. The discourses is stereotyped, apparent and monotonous, so has evolved a generalized rigid discourse on the expression of discourses. The paper discuss two typical cass: the discourses pattern of being solicitous for help, and the discourses pattern of making a pledge. |
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| Keywords: | Individuality generality generalizes rigid the discourses pattern of being solicitous for sb s help the discourses pattern of making a pledge |
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