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当代文化语境下的三种审美方式
引用本文:李倍雷,徐立伟.当代文化语境下的三种审美方式[J].湘南学院学报,2009,30(4):43-45,64.
作者姓名:李倍雷  徐立伟
作者单位:大连大学,艺术研究院,辽宁,大连,116622
基金项目:2007国家教育部人文社会科学基金规划项目《中西比较美术学》(07JA760009)
摘    要:中国当代文化语境的传统审美,受传统文化语境影响,主张精英作为典型形象。非审美,受后现代主义影响,主张消解中心主义,提倡对他者的关注。审丑,是中国当代艺术精神的表现,具有明显的当代性,体现了艺术家对中国当下文化命运的关注,批判意识强烈。对审美,非审美,审丑文化观念的把握,更能够有效地认识中国当代文化语境,建构中国当代文化语境下的艺术观念、思想,发挥中国在全球化语境中的文化影响。

关 键 词:审美  审丑  非审美  

On Three Aesthetic modes in "Cultural Contex of Contemporary China"
LI Bei-lei,XU Li-wei.On Three Aesthetic modes in "Cultural Contex of Contemporary China"[J].Journal of Xiangnan University,2009,30(4):43-45,64.
Authors:LI Bei-lei  XU Li-wei
Institution:Art Research Institute;Dalian University;Dalian Liaoning 116622;China
Abstract:Under contemporary Chinese Cultural Context,aesthetics appears the condition of aesthetics,non-aesthetic,and the Ugly multiply co-exist.Aesthetics defending that the elits as the typical image.Non-aesthetics,impacted by postmodernism deeply,which deconstructed the Centerism advocating for "the others".Non-aesthetics treats the non-aesthetics as the aesthetics,and increased public concern on the non-centers,promoting the public's attention toward caress. Ugliness is the spirit of Chinese contemporary art,whi...
Keywords:aesthetic  non-aesthetic  ugly  
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