叶燮正变观的形成

叶燮的正变观是在继承以《诗大序》为代表的儒家文艺正变思想的基础上，同时借鉴了钱谦益、黄宗羲等人的主变思想，并在与汪琬等崇正排变的观点的论争中提出来的。叶燮的正变观表现出主变而崇正的特点。“主变”是主艺术形式之变，强调艺术形式风格发展的独创性和多样性；“崇正”是崇尚儒家温柔敦厚的诗教传统，要求文学艺术要充分发挥其政教功能。同时它也强调温柔敦厚不受形式风格的制约，温柔敦厚为体，形式风格为用，任何艺术形式风格都是为温柔敦厚的本质服务的，这就充分肯定了多种多样的艺术风格存在的合理性，在一定程度上补充和完善了儒家一向主和平之音而排怨愤之调的诗教传统，在理论上发展了儒家温柔敦厚的诗教思想，具有积极的进步意义和价值。

The Formation of YE Xie's "Zheng Bian Viewpoint"

Advocating change was the characteristics which was expressed in YE Xie's "Zheng Bian Viewpoint"."Zhu Bian" was the change of main artistic style,it stressed the originality and diversity of the development of artistic style."Chong Zheng" was to advocate the tradition of Confucianists gentle and kind poetry , it required that literature and art play full role of the function of religion politics. Meanwhile, it also stressed that its gentle and kind characteristics should not be restricted by form. But any artistic style served the gentle and kind nature. Thus, the rationality of varied artistic style was affirmed,and it, to a certain extent, replenished and perfected Confucianists' tradition which always maintained the peace and removed the resentment, developed Confucianists's gentle and kind thoughts, and it had active and progressive meaning.