| 三礼"兴"义考略 |
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| 引用本文： | 任树民. 三礼"兴"义考略[J]. 巢湖学院学报, 2015, 0(5): 64-70. DOI: 10.3969/j.issn.1672-2868.2015.05.015 |
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| 作者姓名： | 任树民 |
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| 作者单位： | 北华大学文学院,吉林 吉林,132013 |
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| 基金项目： | 吉林省教育厅"十二五"社会科学研究项目 |
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| 摘 要： | 三礼中"兴"字共出现386次,大部分"兴"字都与礼仪有关. "兴"字本义很可能是原始宗教当中一个特定的仪式表演活动, 进而在此基础上演变为一种仪式动作类名而运用于礼仪场合. 周代礼乐文明是"兴"之实践的演绎、呈现场所. 孔子诗之兴的理论采获背景是礼乐文化中的乐语之兴亦即"言之兴".三礼系统中的"仪之兴"前接"兴"之仪式属性,后续孔子诗之兴,是诗"兴"理论发展过程中不可缺少的一个环节,为"兴"塑成为中国古典诗学核心范畴奠定了坚实基础.
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| 关 键 词： | 三礼 仪之兴 自洽 诗之兴 角色 |
RESEARCH ON THE CONNOTATIONS OF XING IN SANLI |
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| Abstract: | The Chinese character "Xing" appears 386 times in Sanli and most of them are related with rituals. The original meaning of "Xing" is probably the given ritual performance in primitive religion and on the basis of this it is evolved into a kind of ritual act applied to the ceremony situations. In Zhou dynasty Liyue civilization is the deduction of practice and presen-tation for"Xing". The theoretical origin of Confucius' "Xing" is the one of music or rituals in Liyue culture. "Xing" of rituals in Sanli system evolves from the attribute of "Xing" rituals and develops into Confucius' "Xing" theory and it is indispensable for"Xing"theory, laying a solid foundation for"Xing"shaped into the core scope of Chinese classical poetry. |
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| Keywords: | Sanli " Xing" of rituals self-consistent " Xing" of poetry role |
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