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构建文学史的三维范式--关于20世纪文学史撰写的断想
引用本文:苏永延.构建文学史的三维范式--关于20世纪文学史撰写的断想[J].海南师范大学学报(社会科学版),2005,18(1):105-108.
作者姓名:苏永延
作者单位:复旦大学,中文系,上海,200433
摘    要:一些经典的文学史著作表明,力求客观公正地揭示文学发展规律的历史性原则、注重文学自身发展的本体性原则、注重文学史家主观能动性的主体性原则,三者的有机结合,构建了文学史的三维范式。《20世纪文学通史》体例新颖,内容安排周详、全面,实现了体例上的历史性贯通,文化渊源上的古今沟通以及历史性与主体性的辩证互动,更接近于20世纪中国文学本体的自身面目,充实了文学史的写作范式,是我们在本世纪初文学史写作上的重要收获。

关 键 词:文学史  三维范式  历史性  主体性
文章编号:1672-223X(2005)01-0105-04

Thoughts on the Writing of the 20th-century Literature History
Authors:SU Yong-yan
Abstract:As has been demonstrated by some classics on literature history, the three-dimensional mode of literature history rests with the organic integration of the principle of historicity aimed at objectively revealing the developmental rules of literature, the principle of noumenon centered on the development of literature itself and the principle of objectivity focused on the subjective initiative of writers of literature history. A General History of Literature in the 20th Century, fresh in style and comprehensive and thorough in content, has attained the historical integration in styles, the connection of the present and the ancient in cultural origins and the dialectic interaction between historicity and subjectivity. The book, which is more reflective of the true colors of noumenon of Chinese literature in the 20th century, has replenished the mode of writing for literature history, so it is a significant attainment in the writing of literature history at the early part of this century.
Keywords:literature history  the three-dimensional mode  historicity  subjectivity
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