从性别政治到生态政治:西方女权主义艺术的进路

西方现女权主义艺术的最大价值和终极价值,在于它终于觉察到女权中心主义的潜在威胁;在于她仅仅期望在自己的文化中自由的言说、自由地阐释、自由地建构自己和形成自己,最后以最自然地方式实现向社会,包含男人的社会的融合;在于她大度地超越性别、种族、种类、国家,追求人与自然、社会高度和谐一致的生态智慧。如果我们估价女权主义时,过多地依赖男性世界对女权主义本身的反应,反而忽视女性对自身命运和遭际的觉知和觉醒的范围和程度,忽视女性对自身的重新塑造和定位的渴求的强度,忽视女性把自身和宇宙进行协调统一的考量的博大胸襟,其结果只能造成对女权主义理解的迷障。

From gender politics to zoology politics: the marching way of western art of feminism

The greatest and ultimatest value of feminism art is based on it finally beeame awars of the potential threat of feminism centerism;based on it only wantes to express herself freely in her own culture,construct and figures herself freely, finally,permeates with the society in nature way,even with masculine society; based on it runs for zoology wisdom which human being,nature and society can permeate in harmony with magnanimous surmounting of genders,races,classes and nations.When we value feminism,the more reliable we depend on masculine reaction of feminine,the more turbid we make in the feminism understanding as neglecting extension and degree that feminine aware and awake in personal fate and condition,neglecting the eager degree for personal reconstruction and reorientation of feminine and neglecting the broad view on personal combination with cosmos harmoniously.