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陀思妥耶夫斯基的构形见解与其作品中的“他人”形象
引用本文:张晓梅.陀思妥耶夫斯基的构形见解与其作品中的“他人”形象[J].阜阳师范学院学报(社会科学版),2006(1):25-28.
作者姓名:张晓梅
作者单位:北京师范大学文学院,北京,100875
摘    要:陀思妥耶夫斯基每部小说描绘的都是多个具有充足价值的完整的“声音”,塑造的都是一个个互不融合的“他人”形象。正是这些声音、意识、形象的相互争辩和斗争,构成了陀氏艺术形式和艺术风格的基础。这就给我们提出了一个问题:“他人”具有什么样的特征,“他人”何以具有这样的特点呢?本文试图从陀氏构形见解的角度来洞悉小说世界中的“他人”形象。

关 键 词:构形见解  “他人”形象  内在之人
文章编号:1004-4310(2006)01-0025-04
收稿时间:10 8 2005 12:00AM
修稿时间:2005年10月8日

Dostoevsky's Compostion Sense and the Image of "Another Man" in His Novel
ZHANG Xiao-mei.Dostoevsky's Compostion Sense and the Image of "Another Man" in His Novel[J].Journal of Fuyang Teachers College(Social Science Edition),2006(1):25-28.
Authors:ZHANG Xiao-mei
Institution:Chinese Department, Beljing Normal University, Zhang Xiao-mei, Beijing, 100875
Abstract:All of the novels of Dostoevsky described several integrated sounds that have sufficeient value and molded a lot of leading roles. They are "another man"and cannot be mixed together. It is just these debates among different sounds,images and consciousness that form the base of art form and style of Dostoevsky. It also put a question to us: what is the quality of these "another man"? Why the roles possess this kind of characteristics? With this questions this article try to analyze the image of "another man" in the novel world through Dostoevsky's composition sense.
Keywords:composition sense the image of "another man" inherent man  
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