| 隐性冲突的设置与搁浅——关汉卿悲剧情节与深层意蕴新论 |
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| 引用本文： | 裴云龙.隐性冲突的设置与搁浅——关汉卿悲剧情节与深层意蕴新论[J].楚雄师范学院学报,2009,24(4). |
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| 作者姓名： | 裴云龙 |
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| 作者单位： | 北京师范大学,北京,100875 |
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| 摘 要： | 对关汉卿悲剧的界定应该遵循"情感基凋"和"情节结局"这两个基本的判断依据.此外,关汉卿的悲剧情节中存在着两条线的冲突:一条线是直接表现、且随剧情进展而适时变换的显性冲突,另一条线是间接表现、但贯穿全剧的隐性冲突.其中,隐性冲突与悲剧的深层意蕴存在更紧密的关涉:它的设置使悲剧意蕴得以凸现,而它的搁浅又对意蕴的成型起到了画龙点睛的作用.
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| 关 键 词： | 关汉卿 悲剧 隐性冲突 设置 搁浅 |
Arrangement and Giving up in Concealed Conflict |
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| PEI Yun-long.Arrangement and Giving up in Concealed Conflict[J].journal of chuxiong normal university,2009,24(4). |
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| Authors: | PEI Yun-long |
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| Institution: | School of Literature;Beijing Normal University;Beijing 100875;China |
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| Abstract: | To define Guan Han-qing's tragedy should follow the two basic estimation evidences,"emotional keynote" and "plot sequel".The author points out that Guan Han-qing's tragedy plots exists conflict in two main lines,and also the author analyzes the tragedy implication in this paper. |
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| Keywords: | Guan Han-qing tragedy concealed conflict arrangement discontinuer |
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