| 依阿高剧本的独白性 |
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| 引用本文： | 张俊梅. 依阿高剧本的独白性[J]. 牡丹江教育学院学报, 2011, 0(1): 7-8,16 |
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| 作者姓名： | 张俊梅 |
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| 作者单位： | 安徽财经大学外国语学院,安徽,蚌埠,233030 |
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| 摘 要： | 理解《奥赛罗》的关键之一是语言。依阿高作为“剧中的剧作家”，投机语言，用独白性的剧本束缚人物的思想，用混乱的语言符号系统颠倒黑白，完成了破坏。但是依阿高夸大了语言符号的任意性，忽视了语言符号的规约性，他的成功之处也恰是失败之处，其独白性剧本最终被复调所冲破。
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| 关 键 词： | 奥赛罗 依阿高 剧中的剧作家 独白性 复调 |
On Monologue Nature of Iago's Plays |
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| ZHANG Jun-mei. On Monologue Nature of Iago's Plays[J]. Journal of Mudanjiang College of Education, 2011, 0(1): 7-8,16 |
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| Authors: | ZHANG Jun-mei |
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| Affiliation: | ZHANG Jun-mei(School of Foreign Languages,Anhui University of Finance,Bengbu,Anhui 233030) |
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| Abstract: | One key to understanding Othello is its language.Iago,as the dramatist of the play,use opportunistic languages and monologue play to bond the thoughts of characters,and use confusing language semiotic system to confuse right and wrong,completing the damage.However,he exaggerates the free nature of language semiotic system,neglecting the principles of language semiotic system.His success in expression also represents his failure and his monologue plays is broken through by repeated tune. |
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| Keywords: | Othello Iago the dramatist of the play Monologue Nature repeated tune |
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