| 后语言时期西方电影理论的根本特征和局限 |
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| 引用本文： | 梁阿龙.后语言时期西方电影理论的根本特征和局限[J].陕西职业技术学院学报,2006(1). |
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| 作者姓名： | 梁阿龙 |
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| 作者单位： | 重庆大学 重庆 |
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| 摘 要： | 后语言时期的观看理论的局限性在于利用了分析哲学和禅宗来反对语言,片面强调了形式上的不可判断的自我相关特征,得出纯粹的感官观看直接导向抽象意义的片面观点。电影是理性和感性共同作用的产物。如果单纯依靠感性来观看电影,电影的形式和内容就不复存在。人的实践证明,人类的文明是可以传承的,传承文明的最有效果工具就是语言。从根本上对语言进行否定的做法是一种极为片面的行为,最终将导致人类的灭亡。
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| 关 键 词： | 后语言时期 分析哲学 禅宗 费希纳美学 格式塔心理美学 |
The Essential Character and Localization of West Film Theory in Post-Language Period |
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| Liang Along.The Essential Character and Localization of West Film Theory in Post-Language Period[J].Journal of Shaanxi Vocational & Technical College,2006(1). |
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| Authors: | Liang Along |
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| Abstract: | The academic localization of post-language period lies in combating language by analytical philosophy and Chan sect. It emphasized the relative characteristics inside the form lopsidedly and gained a one-side view of pure abstractness lead by watching pure sensory organs. Films are reciprocal products of rationality and sensibility. The form and content of film will never exist if only to see a film depend on sensibility. It is proved that human beings' civilization can be inherited best by language. Deny language from the root is an extreme unilateralism and no future at all, and will result in human dead. |
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| Keywords: | the period of post-language analytical philosophy Chan sect Fechner- aesthetics GESITA -psychology aesthetics |
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