| 放之则弥六合卷之则退藏于密——“中和”思想对中国画审关意识的规约 |
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| 引用本文： | 黄志强. 放之则弥六合卷之则退藏于密——“中和”思想对中国画审关意识的规约[J]. 泉州师范学院学报, 2009, 27(1): 94-98 |
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| 作者姓名： | 黄志强 |
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| 作者单位： | 泉州师范学院艺术学院,福建泉州362000 |
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| 摘 要： | “中庸”是孔子哲学思想中的一个重要道德范畴与方法论原则。“中和”是子思对孔子“中庸”思想所作的进一步提升，最终形成了我国古代文化艺术的一种审美价值取向。中国画亦蕴含着意义深刻的“中和之美”。本文通过对“中”、“和”的内涵分析，以及儒道文化对中国画创作及审美的规约的研究，得出了“中，即是‘和”的结论。
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| 关 键 词： | 中 和 中和美 中国画 审美意识 规约 |
Protcol of the Neutral Beauty Thoughts on the Aesthetic Consciouness of Chinese Painting |
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| HUANG Zhi-qiang. Protcol of the Neutral Beauty Thoughts on the Aesthetic Consciouness of Chinese Painting[J]. Journal of Quanzhou Normal College, 2009, 27(1): 94-98 |
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| Authors: | HUANG Zhi-qiang |
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| Affiliation: | HUANG Zhi-qiang (School of Art, Quanzhou Normal University, Fujian 362000, China ) |
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| Abstract: | Golden mean is an important category in the Confucian Philosophy, and harmonious is a promotion of which made by Zi Si. There is neutral beauty in Chinese painting. This article analyzes the connotation of middlebrow and harmonious,and probes the protcol of Confucian and Taoism culture on Chinese painting creation and aesthetics,reaches the conclusion that middlebrow is harmonious. |
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| Keywords: | middlebrow harmonious neutral beauty chinese painting aesthetic consciouness protcol |
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