论宗白华美学思想的贡献

宗白华作为一位中国现代美学的开拓者，对20世纪中国美学作出了卓越的贡献，他那非凡的艺术气质，独特的知识结构，留学德国学习美学和哲学的经历，以及对中国艺术的深切体验，使得他在美学的研究方法和研究思路上，能以西方美学为参照，以中国传统思想为本根，以体现生命意识的中国艺术为核心，为后人的美学研究提供了范式，在审美的人生观方面，宗白华推崇一种既超尘脱欲又积极进取的人生境界，反映了艺术化的心灵境界。同时，他还继承中国传统的诗学观，将意境看成艺术家由情景交融而创构的境象，其中体现着艺术家的人格涵养，在虚实相生的意境中，宗白华特别强调了艺术的动静相成，在叔本华的影响下，宗白华对中国艺术中的音乐精神有深刻的感受和见解。

ZONG Bai-hua's Contribution to Aesthetics Ideology

Zong Baihua, as a pioneer of modern Chinese aesthetics, has made outstarding contribution to Chinese aesthetics of 20th century. Thanks to his uncommon artistic temperament, unique knowledge structure, academic experience of studying aesthetics and philosophy in Germany, and deep understanding of Chinese arts, he is able to base his research on traditional Chinese ideology, concentrate on Chinese art which embodies life consciousness, while at the same time with reference to western aesthetics, and therefore provide aesthetics research model for later generations. In the aspect of aesthetic life philosophy, Zong Baihua commends a life attitude both supramundane and positive, reflecting artistic spirits. At the same time, he inherits Chinese traditional poetics conception, which considers that artistic conception is created by an artist when his/her passion is blended with natural scenery and therefore reflects the artists,personality. In the artistic conception of void and solid, Zong Baihua emphasizes that the static and dynamic states of art supplement with each other. Under the influence of shaupenhaur, Zong Baihua has developed a deep understanding and mature opinion on the music spirit in Chinese art.