| 论古代文人的号、自况、自题像赞的文化内涵 |
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| 引用本文： | 杨开达.论古代文人的号、自况、自题像赞的文化内涵[J].云南师范大学学报(哲学社会科学版),2001,33(2):88-93. |
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| 作者姓名： | 杨开达 |
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| 作者单位： | 云南师范大学学报编辑部，云南 昆明 650092 |
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| 摘 要： | 本文论证了中国古代文人的“号”、“自况”、“自题像赞”的文化内涵，往往与当时社会历史、政治气候、民族传统、文化心理等有着非常紧密的联系；浓缩着广阔的社会生活，积淀了深厚的历史文化内容；是作家志趣、爱好、德行、情操、经历，以及审美倾向的全息摄影，具有不可替代的认识意义和审美意义。
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| 关 键 词： | 古代文人 号 自况 自题像赞 认识意义 审美意义 |
| 文章编号： | 1000-5110(2001)02-0088-06 |
| 修稿时间： | 2000年9月4日 |
On the cultural implication of ancient Chinese scholars' names,self-analogy and self-remarks on their portraits |
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| YANG Kai-da.On the cultural implication of ancient Chinese scholars'''' names,self-analogy and self-remarks on their portraits[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2001,33(2):88-93. |
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| Authors: | YANG Kai-da |
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| Abstract: | This paper offers a discussion about the cultural implication of ancient Chinese scholars' names,self-analogy,and self-remarks on their portraits,all of which is closely associated with social history,political climate, ethnical conventions and cultural mentality of that time.With concentrated social life and profound history,it fully reflects the scholars' interests,hobbies,moral character,sentiment,experience and aesthetic tendency,and has important cognitive meaning and aesthetic meaning. |
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| Keywords: | ancient Chinese scholars names self-analogy self-remarks on portraits cognitive significance aesthetic significance |
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