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大音希声,大象无形——论现代摄影艺术的传统美学及伦理蕴涵
引用本文:刘衡.大音希声,大象无形——论现代摄影艺术的传统美学及伦理蕴涵[J].湘南学院学报,2001,22(6):68-71.
作者姓名:刘衡
作者单位:郴州师范高等专科学校,公共课部,湖南,郴州,423000
摘    要:“大音希声、大象无形”是中国传统美学思想的重要观点 ,它强调虚与实、神与形、隐与秀的辩证统一。现代摄影艺术强调虚实相生 ,重视对纯净感情的追求 ,突出对人生、历史、自然等意境的表现。这些都蕴涵着深厚的中国传统美学及伦理思想

关 键 词:现代摄影艺术  中国美学  传统伦理  意境
文章编号:1008-2042(2001)06-0068-04
修稿时间:2001年6月14日

Grent mwsic Has the Faintest Notes, Great Form Is Beyond Shape On the Traditional Aesthetics and Ethic Implications of Modern Photographic Art
LIU Heng.Grent mwsic Has the Faintest Notes, Great Form Is Beyond Shape On the Traditional Aesthetics and Ethic Implications of Modern Photographic Art[J].Journal of Xiangnan University,2001,22(6):68-71.
Authors:LIU Heng
Abstract:Great music has the faintest notes; Great Form is beyond shape" is an important idea of the traditional Chinese aesthetics. It stresses the dialectic unity of the invisible and the invisible, the combination of spirit and form, and the mixture of the latent and the protruding. It also emphasizes the traditional Chinese morality such as kindness, loyalty and piety, etc. Modern photography stresses the unity of the invisible and the visible, pays significant attention to pursuit of pure emotions, and emphasizes the expression of the artistic conception relating to life, history and nature. All the above contains rich and deep traditional Chinese aesthetics and morality.
Keywords:modern photographic art  Chinese aesthetics  traditional ethics artistic conception
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