| 冯梦龙《山歌》的叙事视角 |
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| 引用本文： | 肖燕芳. 冯梦龙《山歌》的叙事视角[J]. 湘潭师范学院学报(社会科学版), 2004, 26(4): 98-99 |
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| 作者姓名： | 肖燕芳 |
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| 作者单位： | 湖南工程学院,宣传部,湖南,湘潭,411102 |
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| 摘 要： | 在封建时代的主流文学中，男性以理性、秩序和明晰剥夺了女性的话语权力，而民间女子在私情歌谣中重新获得这种权力。《山歌》中的私情歌谣从女性的视角来消解了男性建构的神话，改变了其在男性为本位的传统作品中被书写的命运，使其由被言说的他者向自我言说的主体转变。
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| 关 键 词： | 冯梦龙 《山歌》 叙事视角 女性情感 |
| 文章编号： | 1009-4482(2004)04-0098-02 |
| 修稿时间： | 2004-01-24 |
Narrative Perspective in ShanGe of FENG Meng- long |
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| XIAO Yan-fang. Narrative Perspective in ShanGe of FENG Meng- long[J]. Journal of Xiangtan Normal University(Social Science Edition), 2004, 26(4): 98-99 |
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| Authors: | XIAO Yan-fang |
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| Abstract: | In the main stream literature, women were deprived of discourse right because of men's reason, order and clarity. But they regain it in their love songs. The love songs of ShanGe had broken men's mythological world from female perspective, and had realized the transformation from an object narrated by others in traditional literary works to a narrator. |
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| Keywords: | FENG Meng-long ShanGe narrative perspective |
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