| 秦汉时期“平和”审美与“不平”审美的演化 |
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| 引用本文： | 赵惟惟,叶明春. 秦汉时期“平和”审美与“不平”审美的演化[J]. 云南师范大学学报(哲学社会科学版), 2011, 43(3): 104-110 |
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| 作者姓名： | 赵惟惟 叶明春 |
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| 作者单位： | 1. 云南大学艺术与设计学院,云南昆明,650091
2. 西安音乐学院,陕西西安,710061 |
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| 摘 要： | 从秦始皇到汉武帝即位之前,儒家礼乐平和的审美观受到冲击,以不平为美的民间音乐审美形式在汉初得到前所未有的发展。平和审美与不平审美在审美功能上出现并置、交叉互融的特色。
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| 关 键 词： | 平和 不平 雅乐 天人合一 |
The Transformation from Balance Aestheticsto Imbalance Aesthetics of the Qin and the Han Dynasties |
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| ZHAO Wei-wei,YE Ming-chun. The Transformation from Balance Aestheticsto Imbalance Aesthetics of the Qin and the Han Dynasties[J]. Journal of Yunnan Normal University(Philosophy and Social Sciences Edition), 2011, 43(3): 104-110 |
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| Authors: | ZHAO Wei-wei YE Ming-chun |
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| Affiliation: | ZHAO Wei-wei1,YE Ming-chun2(1.School of Art and Design,Yunnan University,Kunming 650091,China,2.Xi'an Conservatory of Music,Xi'an 710061,China) |
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| Abstract: | From the first emperor of the Qin dynasty to Hanwu Emperor of the Han dynasty,the Confucian aesthetic standard of balance was under attack while the folk aesthetic standard of imbalance enjoyed an unprecedented development in the early Han dynasty.The two had some fusion in terms of aesthetic functions. |
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| Keywords: | balance imbalance ancient court ritual music of China harmony between man and nature |
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