| 异域的牡丹——对意象派和中国古典诗词的简单比较 |
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| 引用本文： | 袁飞舟.异域的牡丹——对意象派和中国古典诗词的简单比较[J].涪陵师范学院学报,2006,22(3):129-131,160. |
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| 作者姓名： | 袁飞舟 |
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| 作者单位： | 西南大学中国新诗研究所 重庆400715 |
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| 摘 要： | 20世纪初的意象派诗人,为了摆脱当时陈腐的“维多利亚”诗风,积极从东方寻求新的写作灵感,他们着迷于中国古典诗歌中丰富的意象及其呈现方式,对中国古典诗歌的一系列译诗及其意象派诗作作品都造成了较大的影响,
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| 关 键 词： | 意象派 中国古典诗歌 意象 误读 |
| 文章编号： | 1672-366X（2006）03-0129-03 |
| 收稿时间： | 2005-12-26 |
| 修稿时间： | 2005年12月26 |
The Peony on Foreign Land--A Comparison of Classical Chinese poems of the school of imagery |
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| YUAN Fei-zhou.The Peony on Foreign Land--A Comparison of Classical Chinese poems of the school of imagery[J].JOurnal of Fuling Teachers College,2006,22(3):129-131,160. |
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| Authors: | YUAN Fei-zhou |
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| Abstract: | To get rid of the trite Victorian poetic style,the poets of the school of images in early 20th century,tried to seek writing inspiration from the east.The were fascinated by the rich imageries and presenting ways of classical Chinese poems.They had great influences on a series of translated classical Chinese poems and the creation of imagery poems. |
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| Keywords: | school of imagery classical Chinese poems images misinterpretation |
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