| 从范畴到语言符号:古代书画审美语素"气"的研究构想 |
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| 引用本文： | 郑敏惠.从范畴到语言符号:古代书画审美语素"气"的研究构想[J].绥化学院学报,2006,26(1):129-131. |
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| 作者姓名： | 郑敏惠 |
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| 作者单位： | 浙江大学人文学院,浙江,杭州,310028 |
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| 摘 要： | 目前对古代书画审美范畴“气”的研究在整体上存在如下不足:研究的视角是孤立的而非联系的,是静止的而非动态的;研究的方法处于“前科学”状态,凭直观经验进行随文阐释,缺乏必要的现代语言学理论与方法的指导,对“气”的解读往往偏离了特定时代人类审美认知发展的客观性。如果研究视角从范畴转到语言符号,就能使“气”的研究增加客观可信度,表现在:形式与语义互证,辩证分析言语意义与语言意义,区分“共时”与“历时”两个平面。
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| 关 键 词： | 气 范畴 语义 系统 演变 |
| 文章编号： | 1004-8499（2006）01-0129-03 |
| 收稿时间： | 2005-10-22 |
| 修稿时间： | 2005年10月22 |
From Category to Linguistic Signs: Design of Study on Aesthetic Morpheme "Qi" in Ancient Calligraphy and Painting Literatures |
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| Zheng Minhui.From Category to Linguistic Signs: Design of Study on Aesthetic Morpheme "Qi" in Ancient Calligraphy and Painting Literatures[J].Journal of Suihua University,2006,26(1):129-131. |
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| Authors: | Zheng Minhui |
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| Institution: | College of Humanities, Zhejiang University, Hangzhou Zhejiang Prov., 310028 |
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| Abstract: | There are some shortages as follow in the present study on aesthetic morpheme of ancient calligraphy and painting literatures: 1) The visual angle of research is insular and quiescent;2) The method is not scientific and short of objectivity.On condition that the angle of view changes from category to lansign,the research will gain impersonality and reliability,which embody in: 1) The form and meaning prove each other;2) Distinguish parole and langue;3) Differentiate synchronie and diachronie. |
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| Keywords: | qi category linguistics signs systemic evolutive |
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