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借景·映照·融合--论雕塑与建筑的关系中包含的易学精神
引用本文:卓凡. 借景·映照·融合--论雕塑与建筑的关系中包含的易学精神[J]. 福建工程学院学报, 2003, 1(2): 47-50
作者姓名:卓凡
作者单位:福建师范大学美术学院,福建,福州,350007
摘    要:在肯定环境中建筑关系复杂性的同时,试图用理性的分析眼光,从现代人的视角,来重新认知这带着传统易学哲理思想的空间叙事关系,藉以解释现实空间与理性境界二元对立的两难矛盾。认为雕塑作为一种与空间、环境有密切关系的语言艺术,以其自身的特点构成了特殊的互生互动审美形式,其主要形态关系可以归纳为“借景,映照,融合”三种大关系。

关 键 词:雕塑 建筑 易学精神 哲理思想 借景 映照 融合 审美形式 观物取象
文章编号:1672-4348(2003)02-0047-04
修稿时间:2003-04-09

Scenery-borrowing, upon-shinning and amalgamation:Yi Spirit in the relationship between sculpture and architecture
Abstract:In this paper, the author affirms the complexity of architecture relation in our environment. Meanwhile, with an eye of rational analysis and from the view of modern people, the author tries to recognize the space narration relationship with traditional and Yi Spirit philosophy so as to promote the opposite and contradictory interpretation between the real and rational world. The author also argues that sculpture, as a linguistic art related to space and environment, establishes a peculiar lively taste with its own characteistics and its main shape relations reduced to three as following:scenery-borrowing, upon-shinning and amalgamation.
Keywords:scenery-borrowing  upon-shinning  amalgamation  
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