| 论中国古代艺术散文的时空形式 |
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| 引用本文： | 方环海,苏保华. 论中国古代艺术散文的时空形式[J]. 徐州师范大学学报(哲学社会科学版), 1999, 0(2) |
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| 作者姓名： | 方环海 苏保华 |
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| 作者单位： | 徐州师范大学中文系!江苏徐州221O09(方环海)，复旦大学中文系!上海200433(苏保华) |
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| 摘 要： | 中国古代艺术散文之所以能够“审美地感人”，很大程度上取决于它所创造的时空形式。它的时空形式是一种文化合力的结果，也是一种艺术存在形式。在此形式中体现了艺术的本质，它的基本特征是体验与解析、复杂化与简单化、有序与无序的统一。
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On the Space-time Form in the Ancient Chinese Artistic Prose |
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| FANG Huan-hail,SU Bao-hua. On the Space-time Form in the Ancient Chinese Artistic Prose[J]. Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition), 1999, 0(2) |
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| Authors: | FANG Huan-hail SU Bao-hua |
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| Affiliation: | FANG Huan-hail,SU Bao-hua2 |
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| Abstract: | The reason why ancient Chinese artistic prose could be aesthetically touching, to a large extent,lies in the space-time form embodying the essence of art, is both a result of cultural resultant of forces and a form of artistic existence. Its basic feature is the unity of experience and analysis, of complication and simplification, and of order and disorder. |
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| Keywords: | Qin Long Travel Notes poems3 dangerous landscapest mournful mental state gestalt aestheticsords: artistic prose space-time form essence feature |
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