当代政治意识与民族传统文化意识的扭结——从天安门诗歌到“哀思文学”潮流

1976年的天安门诗歌运动是时代政治气候压抑下民族情绪郁积的产物。天安门诗歌一方面表现出民族当代民主政治意识的苏醒 ,一方面又表现出民族传统文化意识的积淀。其文化指归、情感意向、表现形式都呈现出复归传统的倾向。新时期之初的哀思文学是天安门诗歌的自然承续 ,其内在情感、意识、话语等都与天安门诗歌一脉相承。当代意识与传统意识的虬结共生是这时期文学潮流的突出特色。正是这一矛盾的共生体触动和催发了“伤痕—反思”文学的产生

A KNOT WHEREIN MODERN POLITICAL AWARENESS AND THE NATIONAL TRADITIONAL CULTURAL AWARENESS TWISTED TOGETHER

The poetic movement at Tian An Men Square in 1976 is a product of the pent up national feelings under the pressure of the political climate of the time. Tian An Men's poetry embodies, on the one hand, the awakening of the national awareness of the modern democratic politics, and, on the other hand, the stored up traditional cultural awareness of the nation. Its cultural aim, its emotional intention and its form of expression--all displayed a tendency towards the regression into tradition. The literature of sad memories in the first years of the new period is the natural continuation of Tian An Men's poetry. Its inner feelings, its consciousness and its language all can be traced to the same origin of the Tian An Men's poetry. The twist and intergrowth of modern awareness and traditional awareness is the most outstanding characteristic of the literary current of this period. It is just this symbiosis of contradiction that led to the birth of the scar--counter thinking literature.