| 略论曹禺悲剧作品的艺术支点 |
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| 引用本文： | 陈婉娴.略论曹禺悲剧作品的艺术支点[J].广东广播电视大学学报,2001,10(4):57-61. |
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| 作者姓名： | 陈婉娴 |
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| 作者单位： | 广东广播电视大学,广东广州,510091 |
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| 摘 要： | 奠定曹禺在我国现代戏剧史上不朽地位的主要是他的悲剧作品。从文艺辩证学的角度看，曹禺的悲剧作品有一个共同的艺术支点，即对生命本体及相关的人性、生存环境和生存方式的深刻追询与思考，这个艺术支点在作品中有着具体的、多方面的表现。曹禺悲剧艺术支点的产生有着多重因素。
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| 关 键 词： | 曹禺 中国 悲剧作品 艺术支点 文艺辩证学 人性 生存方式 |
| 文章编号： | 1008-9764(2001)04-0057-05 |
| 修稿时间： | 2001年3月12日 |
On the Art Pivot in Cao Yu's Tragedies |
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| Chen Wanxian.On the Art Pivot in Cao Yu''''s Tragedies[J].Journal of Guangdong Radio & Television University,2001,10(4):57-61. |
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| Authors: | Chen Wanxian |
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| Abstract: | It is Cao Yu's tragedies on the whole that helped to establish his everlasting fame in the modern history of Chinese dramas. Looked upon from the dialectical angle of literature, his tragedies have a common art pivot, which is concerned with quests and thoughts over life itself, relevant human natures, environments and ways for human survival. The art pivot as such in his tragedies has been specified and embodied in many aspects. Various factors come into play when it comes to why his art pivot came into being. |
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| Keywords: | Cao Yu tragedies art pivot life as such origin |
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