首页 | 本学科首页   官方微博 | 高级检索  
     检索      

审美主义视角下大众文化批评的反思
引用本文:朱庆福.审美主义视角下大众文化批评的反思[J].信阳师范学院学报(哲学社会科学版),2002,22(6):71-74.
作者姓名:朱庆福
作者单位:信阳师范学院,中文系,河南,信阳,464000
基金项目:国家社科基金项目 (0 0 BZW0 30 )
摘    要:审美主义和大众化批评中是颇具影响力的一种视角。其本身又蕴涵着一些令人质疑或反思的东西;审美主义所依据的“审美距离”、“理性”等传统美学观念,其自身的合理性尚待证明,审美主义在运用这些理论进行具体批评和话语操作时,忽略了不同艺术类型各自的特征及差异;审美主义批评没能充分考虑到当前大众化的现实和历史境遇以及化品位和功能,表现为理论滞后和话语错位,在反思基础上,呼呈理论创新,建立新的审美规范。

关 键 词:大众文化  审美文化视角  反思  审美距离
文章编号:1003-0964(2002)06-0071-04
修稿时间:2002年8月26日

introspection on the criticism of Thema ss culture at an aesthetic angle
ZHU,Qing-fu.introspection on the criticism of Thema ss culture at an aesthetic angle[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2002,22(6):71-74.
Authors:ZHU  Qing-fu
Abstract:Among all the criticisms of mass culture, aestheticism is undoubtedly an influential visual angle. However, the criticism by aestheticism implies some doubts and introspections in three aspects. Firstly,aesthetic theories and rationality as traditional aesthetic theories on which aestheticism is based are yet to prove. Secondly, aestheticism ignores the features and differences of various artistic categories while these theories are applied to specific criticism and speech act. Thirdly, its criticism takes so little account of the present reality, historic situations, cultural tastes and functions of mass culture that it reflects the lag of theory or speech malposition. Therefore, it is necessary to build new theories and aesthetic norms.
Keywords:mass  culture  aestheticism  introspection  aesthetic  distance
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号