| 论中国古典诗歌艺术形象中意象与物象的统一 |
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| 引用本文： | 杨善利. 论中国古典诗歌艺术形象中意象与物象的统一[J]. 连云港职业技术学院学报, 2004, 17(1): 25-28 |
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| 作者姓名： | 杨善利 |
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| 作者单位： | 连云港职业技术学院,江苏,连云港,222006 |
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| 摘 要： | 中国古典诗歌艺术形象的创作，是诗人头脑中的意象和客观现实中的物象相融合并互相激荡升华为诗中的审美意象，进而与审美物象水乳交融生成了超越客观物象，超越主观情意，超越了宇宙、天地、万物、历史、时空的融而为一的诗歌艺术形象，使诗的光晕获得了永恒的存在。
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| 关 键 词： | 中国 古典诗歌 艺术形象 审美意象 审美物象 |
| 文章编号： | 1009-4318(2004)01-0025-04 |
| 修稿时间： | 2003-12-16 |
Unification Of Image And Totem Among Artistic Images In Chinese Classical Poems |
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| YANG Shan-li. Unification Of Image And Totem Among Artistic Images In Chinese Classical Poems[J]. Journal of Lianyungang Technical College, 2004, 17(1): 25-28 |
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| Authors: | YANG Shan-li |
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| Abstract: | The image in the mind of poets and the totems in external reality forming a confluence, surging and subliming, esthetic image comes into being. Then in complete harmony with esthetic totems, it creates artistic images of poems, which surpass external totems and subjective feelings, surpass space, heaven and earth, everything on earth, history and space-time. As a result, poems are in the bloom of youth for ever. |
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| Keywords: | artistic images image totems esthetic image esthetic totems |
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