形真而圆神和而全——浅析唐代纹样新精神、新气象

唐代是我国封建王朝的顶峰,无论物质生产还是文化艺术都达到了前所未有的高度,而且并未被后代封建社会所超越。全国从经济到文化,都处于一种繁荣自由、活泼开放、向上统一的局面。其文化艺术的审美真正地觉醒了,而艺术风格也与前朝大相径庭,走上了“清新自由、神形合一”的新境界。本文试综合社会变化及审美心理,举例浅析唐代纹样的新精神、新气象。

Striving for Vividness and Perfection,and Combining the Form with the Spirit: A Brief Analysis of the New Spirit and New Scene of Decorative Patterns during the Tang Dynasty

Tang Dynasty is at the top of China's feudal society.Not only the material production but also the art and culture had reached a highest level that they had never met before.And that height had never been surmounted by other feudal society.The whole country,from art to culture,was all in the situation which was so freely,prosperously,activity,and unitary.The art and culture had waked up definitely,and the style of art also changed greatly than past year.It had run to a new direction which named "clean and free,spirit adds shape".This paper tried to analyze the Tang Dynasty pattern's new spirit and new style by some examples,bass on the society's changing and the appreciation of beauty.