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藏画艺术中的轮回观念与圆形哲学
引用本文:泰奥·吉美.藏画艺术中的轮回观念与圆形哲学[J].甘肃高师学报,2004,9(1):11-12.
作者姓名:泰奥·吉美
作者单位:合作民族师范高等专科学校,甘肃合作,747000
摘    要:在密宗圆形思想中 ,包含着轮回的观念 ,这种轮回观念实际上就是一种对人们的劝善行为也就是说每个人以良心为准绳来衡量自己的功过是非。在轮回中的因果思想 ,并非哲学上的原因而产生结果 ,结果反过来影响原因 ,而是在现实世界之外又编造出了“来世” ,此生之因 ,就会得到来世之果 ,此生的恶 ,就会得到来世的恶果 ,此生的善就会得到来世的善果等

关 键 词:藏画艺术  轮回观念  圆形哲学
文章编号:1008-9020(2004)01-011-02
修稿时间:2003年10月4日

The Idea of Samsara Contained in the Tibetan Paintings and the Circular Philosophy
Taiao Jimei.The Idea of Samsara Contained in the Tibetan Paintings and the Circular Philosophy[J].Journal of Gansu Normal College,2004,9(1):11-12.
Authors:Taiao Jimei
Abstract:The ideas of the circularity held by the Mizong Sect o f Tibetan Buhddism contains the samsara which is, in fact, a way of persuading peo ple to be charitable and kind-hearted, weighing up one's behaviors and judging rights and wrongs of one's deeds from their conscience. The samsara, related to Buddhism retribution, is not the cause and effect in the philosophical sense. T he retribution in Buddhism is a made-up afterlife beyond the present human world and one's deeds and behaviors of the present time will definitely bring about t he results of the next life. The wrong deeds of the present world will cause som e evil consequence of the next life while the good deeds of the present world wi ll bear good fruit.
Keywords:the art of Tibetan painting  the idea of Samsara  the C ircular Philosophy  
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