| 中国艺术范畴融通论 |
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| 引用本文： | 张浩,杨勇. 中国艺术范畴融通论[J]. 广播电视大学学报, 2005, 0(3): 73-75 |
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| 作者姓名： | 张浩 杨勇 |
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| 作者单位： | 1. 江汉大学,湖北,武汉,420056
2. 武汉电视台,湖北,武汉,430015 |
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| 摘 要： | 研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。从这些艺术范畴的产生来看,有着共同的根源;从其表现来看,有着相通相长的艺法;从其实质来看,都有“如其人”的品位;从其审美理想来看,都有“与天合”的倾向。因而书与画同,画与诗通,诗与乐合,同源分流,相得益彰。形成中国特有的一系列艺术范畴。
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| 关 键 词： | 中国美学 艺术范畴 诗乐 书画 |
| 文章编号： | 1008-0597（2005）03-0073-03 |
| 收稿时间： | 2005-03-26 |
| 修稿时间： | 2005-03-26 |
The Integration of Chinese Art Category Communicates |
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| ZHANG Hao,YANG Yong. The Integration of Chinese Art Category Communicates[J]. Journal of TV University(Philosophy & Social Sciences), 2005, 0(3): 73-75 |
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| Authors: | ZHANG Hao YANG Yong |
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| Abstract: | Studying China's literature and art aesthetics should notice the integration of every artistic category such as poem, music, calligraphy and draw. According to the formulation of these artistic category, there are common origins; According to its behaviour, these skills and techniques were communicating; According to its essence , there are the grade " like the person "; According to its aesthetic ideal , there are inclination of " shutting with Tian ". Therefore, poem, music, calligraphy, draw homology are shunted, bring out the best in each other, form a series of peculiar artistic categories in China. |
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| Keywords: | China's aesthetics Artistic category Poemand Music Calligraphyand Draw |
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