论早期北方民族造型艺术发展的母题特征——以呼伦贝尔地区早期民族造型艺术实践为例

人类早期造型艺术的起源与发展反映着原始宗教崇拜的三个不同发展阶段，即：“自然崇拜”、“图腾崇拜”、和“祖先崇拜”阶段，这是艺术教育及艺术史论研究中划分远古造型艺术发生发展的重要理论基础。从哲学文化的角度重新审视北方民族的造型艺术，可以发现，原始宗教崇拜三个阶段中的早期造型艺术作品在深层上直观地反映着北方民族的共性文化特征，那就是对生命的追问以及生命崇拜的实践，并以此构成了北方民族造型艺术的母题特征——“生命崇拜”。

On the Features of Mother Body of the Development of Sculpture Art of North Nationalities Take the art practice of the early national sculpture of Hulunber area

Based on the theory of cultural anthropology,art theorists and general cultural scholars agree and apply the syllogism of religion adoration.That is,nature adoration,totem adoration,and ancestor adoration.Looking into the art culture of north nationalities in perspective of image art,the author finds the syllogism reflects in the common culture features of the north nationalities: questioning of life and the practice of life adoration,which compose the feature of mother body of north nationalities art cultu...