| 论尼采艺术生理学的命题组 |
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| 引用本文： | 廖诗忠. 论尼采艺术生理学的命题组[J]. 闽江学院学报, 2003, 24(1): 97-100 |
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| 作者姓名： | 廖诗忠 |
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| 作者单位： | 闽江学院中文系,福建,福州,350011 |
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| 摘 要： | 本文认为尼采的艺术生理学由一个总命题和两个分命题构成。尼采艺术生理学的总观点是将艺术当作一种生理机能,认为艺术创作的生理前提是“醉”,艺术创造力根源于艺术家的身体活力。
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| 关 键 词： | 尼采 艺术生理学 命题 生理机能 艺术创作 艺术创造力 审美 |
| 文章编号： | 1009-7821(2003)01-0097-04 |
Comment on the Propositions of Nietzsche's "Physiology of Arts" |
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| LIAO Shi-zhong. Comment on the Propositions of Nietzsche's "Physiology of Arts"[J]. Journal of Minjiang University, 2003, 24(1): 97-100 |
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| Authors: | LIAO Shi-zhong |
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| Abstract: | This article shows that Nielzsche's "physiology of arts" is made up of one total proposition and two separated propositions. Nielzsche's "physiology of arts" regards the art as a kind of physiological function, it thinks that the works of art must have the physiological slate named "feeling of getting drunk" as their prerequisite, and the creativily of arts stems from the energy of artist's body. |
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| Keywords: | Nietzsche physiology of arts life |
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